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Showing posts with label new. Show all posts
Showing posts with label new. Show all posts

Tuesday, November 1, 2016

Introducing Your New Cat

Introducing Your New Cat
It's important to have realistic expectations when introducing a new pet to a resident pet. Some cats are more social than other cats. For example, an eight-year old cat that has never been around other animals may never learn to share her territory (and her people) with other pets in the household. However, an eight-week-old kitten separated from her mom and littermates for the first time might prefer a cat or dog companion. Cats are territorial and need to be introduced to other animals very slowly to give them time to get used to each other before there is a face-to-face confrontation. Slow introductions help prevent fearful and aggressive problems from developing. PLEASE NOTE: When you introduce pets to each other, one of them may send "play" signals that can be misinterpreted by the other pet. If those signals are interpreted as aggression by one animal, then you should handle the situation as "aggressive."



Confinement
Confine your new cat to one medium-sized room with her litter box, food, water and a bed. Feed your resident pets and the newcomer on each side of the door to this room. This will help all of them to associate something enjoyable (eating!) with each other’s smells. Don't put the food so close to the door that the animals are too upset by each other’s presence to eat. Gradually move the dishes closer to the door until your pets can eat calmly, directly on either side of the door. Next, use two doorstops to prop open the door just enough to allow the animals to see each other, and repeat the whole process.

Swap Scents
Switch sleeping blankets or beds between your new cat and your resident animals so they have a chance to become accustomed to each other's scent. Rub a towel on one animal and put it underneath the food dish of another animal. You should do this with each animal in the house.

Switch Living Areas
Once your new cat is using her litter box and eating regularly while confined, let her have free time in the house while confining your other animals to the new cat's room. This switch provides another way for the animals to experience each other’s scents without face-to-face meeting. It also allows the newcomer to become familiar with her new surroundings without being frightened by the other animals.

Avoid Fearful and Aggressive Meetings
Avoid any interactions between your pets that result in either fearful or aggressive behavior. If these responses can become a habit, they can be difficult to change. It's better to introduce your pets to each other so gradually that neither animal becomes afraid or aggressive. You can expect mild forms of these behaviors, but don't give them the opportunity to intensify. If either animal becomes fearful or aggressive, separate them, and start over with the introduction process in a series of very small, gradual steps, as outlined above.

Precautions
If one of your pets has a medical problem or is injured, this could stall the introduction process. Check with your veterinarian to be sure that all your pets are healthy. You'll also want to have at least one litter box per cat, and you'll probably need to clean all the litter boxes more frequently. Make sure that none of the cats are being "ambushed" by another while trying to use the litter box. Try to keep your resident pets' schedule as close as possible to what it was before the newcomer's appearance. Cats can make lots of noise, pull each other's hair, and roll around quite dramatically without either cat being injured. If small spats do occur between your cats. Instead, make a loud noise, throw a pillow, or use a squirt bottle with water and vinegar to separate the cats. Give them a chance to calm down before re-introducing them to each other. Be sure each cat has a sage hiding place.

Cat to Dog Introductions
Dogs can kill a cat very easily, even if they’re only playing. All it takes is one shake and the cat's neck can break. Some dogs have such a high prey drive they should never be left alone with a cat. Dogs usually want to chase and play with cats, and cats usually become afraid and defensive. Use the techniques described above to begin introducing your new cat to your resident dog. In addition:

Practice Obedience
If your dog doesn't already know the commands "sit," "down," "come," and "stay," you should begin working on them. Small pieces of food will increase your dog's motivation to perform, which will be necessary in the presence of such a strong distraction as a new cat. Even if your dog already knows these commands, work with obeying commands in return for a tidbit.

Controlled Meeting
After your new cat and resident dog have become comfortable eating on opposite sides of the door, and have been exposed to each other' scents as described above, you can attempt a face-to-face introduction in a controlled manner. Put your dog's leash on, and using treats, have him either sit or lie down and stay. Have another family member or friend enters the room and quietly sit down next to your new cat, but don't have them physically restrain her. Have this person offer your cat some special pieces of food or catnip. At first, the cat and the dog should be on opposite sides of the room. Lots of short visits are better than a few long visits. Don't drag out the visit so long that the dog becomes uncontrollable. Repeat this step several times until both the cat and dog are tolerating each other's presence without fear, aggression or other undesirable behavior.

Let Your Cat Go
Next, allow your cat freedom to explore your dog at her own pace, with the dog still on-leash and in a "downstay." Meanwhile, keep giving your dog treats and praise for his calm behavior. If your dog gets up from his "stay" position, he should be repositioned with a treat lure, and praised and rewarded for obeying the "stay" command. If your cat runs away or becomes aggressive, you're progressing too fast. Go back to the previous introduction steps.

Positive Reinforcement
Although your dog must be taught that chasing or being rough with your cat is unacceptable behavior, he must also be taught how to behave appropriately, and be rewarded for doing so, such as sitting, coming when called, or lying down in return for a treat. If your dog is always punished when your cat is around, and never has "good things" happen in the cat's presence, your
dog may redirect aggression toward the cat.

Directly Supervise All Interactions between Your Dog and Cat
You may want to keep your dog on-leash and with you whenever you cat is free in the house during the introduction process. Be sure that your cat has an escape route and a place to hide. Keep your dog and cat separated when you aren't home until you're certain your cat will be safe.

Precautions
Dogs like to eat cat food. You should keep the cat food out of your dog's reach. Eating cat feces is also relatively common behavior in dogs. Although there are no health hazards to your dog, it's probably distasteful to you. It's also upsetting to your cat to have such an important object "invaded." Unfortunately, attempts to keep your dog out of the litter box by "booby trapping" it will also keep your cat away as well. Punishment after the fact will not change your dog's behavior. The best solution is to place the litter box where your dog can't access it, for example: behind a baby gate; in a closet with the door anchored open from both sides and just wide enough for your cat; or inside a tall, topless cardboard box with easy access for your cat.

A Word about Kittens and Puppies
Because they're so much smaller, kittens are in more danger of being injured, of being killed by a young energetic dog, or by a predatory dog. A kitten will need to be kept separate from an especially energetic dog until she is fully-grown, and even then, she should never be left alone with the dog. Usually, a well-socialized cat will be able to keep a puppy in its place, but some cats don't have enough confidence to do this. If you have an especially shy cat, you might need to keep her separated from your puppy until he matures enough to have more self-control.

When to Get Help

If introductions do not go smoothly, seek professional help immediately. Animals can be severely injured in fights, and the longer the problem continues, the harder it can be to resolve. Conflicts between pets in the same family can often be resolved with professional help. Punishment won't work, though, and could make things worse.

Thursday, May 14, 2015

Night on Earth -- Jim Jarmusch

When all “significance” melts away and life suddenly comes down to just being somewhere (Gleiberman).  Jim Jarmusch’s Night on Earth, his fourth commercially released feature that only took him about a week to write, links five different cities around the world inside of five different taxicabs at the same time in the middle of the night with five different mini-episodes.  Jarmusch masters comedy of the oblique in this film that leaves you with many unanswered questions,
at the end, we have learned no great lessons and arrived at no thrilling conclusions, but we have shared the community of the night, when people are unbuttoned and vulnerable – more ready to speak about what’s really on their minds (Ebert).
His films are not intended to appeal to mainstream filmgoers, but they have become known for trying to stay away from a traditional narrative structure, lacking clear plot progression and they focus more on mood and character development.  Night on Earth explores disconnected characters and their relationships through a series of off-the-wall duets giving the impression that they all may have more in common than you may have originally thought.

     The film begins in Los Angeles where an elegant Hollywood casting agent, Victoria, takes a taxicab home from the airport driven by a young, tough, chain-smoking tomboy, Corky; the complete opposite of Victoria.  “Victoria is so high-powered that you might think her capable of raising Mars with the cordless telephone she uses” (Canby) yet she is inspired by Corky’s no-nonsense outlook on life that she offers her a job as an actress that she, to our surprise, declined so she could pursue her dream of becoming a mechanic.

            We, then, rewind a little in time as we switch to a new location, New York. A rowdy, amusing man, YoYo, is desperately trying to get a taxicab that will take him from Manhattan back home to Brooklyn.  He finally gets a cab with a suspiciously smiling eager East German refugee, Helmet, who turns out has yet to learn to properly drive.  YoYo, eventually, convinces Helmet to let him take the wheel.  Helmet is a delighted, amusing passenger who, we learned, was once a circus clown after YoYo called him “a clown.”  “Absolutely nothing about these two characters connect, yet in their very recognition of that fact they attain a fleeting bond” (Gleiberman).  Eventually they come across and pick up YoYo’s highly opinionated sister-in-law, Angela which resulted in a hilarious and liberating combination of YoYo, Helmet and Angela.  However, after they reach their destination Helmet is back behind the wheel no idea where he is.

In Paris a young, handsome cabbie’s night is not going very well after fighting with and kicking out two arrogant diplomats which was somewhat amusing.  Jarmusch said he “chose to use color and play off areas of the city that were colorful” (LoBrutto) which seemed to be more prominent after picking up a blind Frenchwoman.
The truth is that the sight of her sightless eyes, freely rolling in their sockets, is as unnerving to the audience as it is to him.  His questions are direct, without guile, when he brings up the subject of sex and what it must be like to make love with someone one cannot see. Even here she somehow manages to squelch him.  The night ends as badly as it began (Canby)
as the young, Ivory Coast driver gets into an accident right after dropping off the Frenchwoman.

            In Rome, Jarmusch did the opposite with color then he did in Paris, he “kept it all almost monotone and earth tone – yellows and browns.  That was designed in, and that was [his] way to follow through and make each scene distinctive” (LoBrutto). At any rate, the sarcastic, talkative and goofy Roman cab driver picks up a tired, old Priest who was not pleased when the driver decided to give his confession in the cab.  The hilarious, sexual and somewhat inappropriate confession, that you never find out if it is true or not, ends up killing the Priest.  Meanwhile, in Helsinki, our last destination, four drunks whose “physical state has finally attained an awfulness that matches your life choices” (Canby) decided to be responsible by getting a cab ride home.  However this may be “the saddest, almost unbearably sad [episode], as the driver hears what a bad day one of his passengers has had, and then tops him” (Ebert).

Jarmusch basically emptied the streets making the all the cities look lonely and cold.  He determined the cities in Night on Earth largely based on the actors and actresses he wanted to work with.  Now, when it comes to the taxicabs, one of the reasons he chose cabs is because he figured there would be a great deal of control.
The cab itself is the world temporarily shared.  It’s also a distinctive cocoon (each taxi in the film has its own special purr or knock) from which one of the parties will emerge if not changed, then at least shaken up, or, in one case, no more sure where he is than when he got into the cab (Canby).
Jarmusch just loved the idea of the forced situation of two people in a car who don’t know each other.  With some help from Tom Waits’ music he created a lonely, elegiac, romantic mood; “as much as jazz does, Night on Earth transforms the commonplace into something haunting, mysterious and newly true” (Canby) where he, basically, had the actor’s captive.

Though it may seem like insignificant randomness it’s actually those throwaway observations that Jarmusch orchestrates with microscopic detail making his films difficult to summarize as well as something that you cannot watch just once.  Night on Earth seems always to keep the alien’s distance, as if part of its mind remained forever fixed in outer space (Canby) not interested in making each segment in a short story with an obvious conclusion.  There are no zingers at the end.  [Jarmusch is] more concerned with character [and] with the relationship that forms (Ebert).

His use of characters may seem stereotypical and cliché at first but as you get to know each and every character their behavior begins to grow increasingly more abstract as our understanding of their existence and our relationship with them broadens.  [The] cosmic title may lead you to expect a spiritual overview of the state of the world, but the joke is that these cabbies and their passengers all speak a universal language of disconnectedness (Gleiberman).  Yet Jarmusch creates the feeling of being connected through being disconnected.  [In his] worldwide feeling of kinship, we will hear Spanish, German, French, Italian, Finnish and even a little Latin (Ebert).  [Jarmusch] seems to see his characters through a telescope (Canby) as he transforms the ordinarily mundane conversations into engaging episodes all having their own personality.
It’s as if the minds of these night people are affected by all the dreams and nightmares that surround them…his characters seem divorced from the ordinary society of their cities; they’re loners and floaters.  We sense they have more in common with one another than with the daytime inhabitants of their cities.  And their cabs, hurtling through the deserted streets, are like couriers on a mission to nowhere (Ebert).
Yet maybe it just comes down to just being somewhere, enjoying life. Jarmusch is an intriguing contradiction: an avant-garde entertainer, a downtown aesthete with one foot (well, okay, a few toes) in show biz…The fragmentary exchanges and subliminal missed connections that most moviemakers leave out—for Jarmusch, are about the only things worth putting in (Gleiberman).



Works Cited
Canby, Vincent. "Night on Earth (1991) Review/Film Festival; Urban Life Seen from a Taxi Seat." New York Times [New York] 4 Oct. 1991, Movies: n. pag. New York Times. Web. 12 Apr. 2015.

Ebert, Roger. "Night on Earth." RogerEbert.com. N.p., 8 Mar. 1992. Web. 12 Apr. 2015.

Gleiberman, Owen. "Night on Earth." Entertainment Weekly 17 Jan. 2015: n. pag. Web. 12 Apr. 2015.

"Jim Jarmusch - Part Two." Guardian 20 Dec. 1999, Movies: n. pag. The Guardian. Web. 12 Apr. 2015.

LoBrutto, Vincent. "Principal Photography: Interviews with Feature Film Cinematographers." The Jim Jarmusch Resource Page. N.p., n.d. Web. 12 Apr. 2015.

"Night on Earth." Wikipedia. Wikimedia Foundation, 30 Nov. 2014. Web. 12 Apr. 2015.

"Night on Earth (1991)." IMDB. Amazon.com, n.d. Web. 8 Apr. 2015.

O'Brien, Glenn. "Jim Jarmusch." Interview Magazine: n. pag. Web. 30 Apr. 2015.